PERSISTENCE OF MEMORY

May 10 - June 09 , 2018

An intrinsic relationship exists between a painted image and human memory - remembering and forgetting occur simultaneously in the very act of painting. In a large way, what distinguishes this process from many other image making methods is the arc of time in which it is made and changed by the process of re thinking, re working and re doing – a transformation always beside and beyond the first idea and sketch of it. In its very nature, it is a medium and technique prone to change, alteration, often even after it is complete. Though the duration of their process, skill, concept and style differentiates one painter from the other, it is interesting to note the similarity in the basic nature of a painter’s process. One that is defined not by a final outcome but by its journey, one that is decidedly a reflective mode of engagement even as it co-opts the accidents and chaos implicit in such a way of working. 
The artists in this exhibition frequent this process in their own ways – often creating works carrying multiple meanings through their varied approach to the process of painting. Their works in the exhibition portray a range of subjects from autobiographical accounts to observed notes on the everyday life and from critiques to hope in times of the changing landscape around them. They strive to keep the hand drawn and hand painted techniques alive, often as an act of remembering, through their individually expressive and nuanced vocabularies.
 

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Installation



Press


Sunday Guardian, May 12, 2018

Anupama Alias, Untitled (Frantz), 58 x 27 inches, Mixed Media on Paper, 2017

Prasad KP, Untitled III, Watercolor on Board, 12 x 12 inches, 2018

Kaushik Saha, Prelude of the Present, 48 x 72 inches, Iron Nails, Copper Wire, Leather, Enamel Paint, Oil on Cycle's Tube Pasted on Canvas, 2018

Anil Thambai, Via (Series of Postcards), Graphite, Watercolor, Tea Stains on Postcards 3.7 x 5.5 inches (each), 2018

Sajeev Visweswaran, Jackfruit 1, Linocut Print on Paper, 11 x 16 inches, 2016

Sujith SN, Isle, Watercolor on Paper, 34 x 82 inches, 2017

Anil Thambai, The Morning was Gold the Afternoon was Silver and the Evening is lead, Graphite on Acid Free Paper with Marine Ply Support, 24 x 72 inches, 2018

Ekta Singha, You are the most sensible definition of love, Found Window Panels, Nepali Handmade Paper and Gouache, 9 x 6 inches (Each Panel), 2018

Installation View

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Installation View

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Installation View